Performed by TNUA ensemble (Fl. 黃靖婷，Vc. 羅翡翠，Pn. 黃子臻), Jun. 2009, Taipei, Taiwan
The composer chooses “Four Moods” as the title of this work for two reasons: not only to depict four “sentiments or states of mind”, but also to create four kinds of musical “atmospheres” which are co-relative, though of different shades.
This work consists of four sections, whose subtitles are “solitude,” “waiting,” “illusion,” and “obsession.” These four mental conditions occur in sequence and in a cause-and-effect relationship. Solitude leads to anticipation; the futile process of restless waiting leads to illusion; the disillusionment of yearning and fantasy leads to obsession caused by a mixture of jealousy and resentment. Overwhelmed with such emotions, one falls into a state of collapse and then again feels solitude, which exists all the time. In this way, the four moods form a vicious circle.
By means of obscure musical expressions and the manipulation of timbres, the composer intends to transform these moods into music and create emotional atmospheres. The purpose for adding the subtitles to the four sections is to provide some associable and perceivable direction for the performers and the listeners, in the hope that the original thoughts of the composer can be extended infinitely through the interpretation of the performers as well as the re-interpretation of the listeners.